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15
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arts & entertainment
The Skidmore News, 30April 2003 23
`Last Train to Nibroc' Lights Up Skidmore's Black Box
b y C h ris Ladd
M a n a g in g E d i t o r
MEXICAN CONNECTION
restaurant
& cantina
one t e q u i l a
each, and weave conversations away audience at and around what they mean and feel, the effect o f realism is so complete that several times, during my neigh bor's quieter sleeping spells, I forgot I was at a play at all, and was fully absorbed into the scene and dialogue. "Last Train to Nibroc" is a pow erful, funny, thought-provoking the ater experience, serious w ithout resorting to pretensions, accessible without succumbing to simplicity. "Last Train to Nibroc" will con tinue at Skidmore April 3 0 through M ay 11, extended by popular demand, with Wednesday through Friday shows at 7 :3 0 p.m., Saturday way car seat where Eakes sat, and Van Cleve entered and delivered his first line in a Tennessee twang that at first smacked o f acting school, but soon settled indistinguishing and seamless into Raleigh's character. From the first, Van Cleve and Eakes gave per form ances o f im peccable tim ing, conversing with perfect cadence; comedic, and revealing. The sparse scenery, the stage held only the rail way seat in the play's first third, and was similarly scant throughout the two parts that followed, drew focus into the characters' words, inflection, and body language, all o f which were so effectively presented by the capa ble Ekes and Van Cleve that by the end o f the play I found m yself inwardly justifying and challenging the characters' actions as i f they were my own stubborn friends. Eakes and Van Cleve create characters that breathe and think and feel. Indeed, the masterful develop ment o f May and Raleigh and their relation to one another was, perhaps, the best thing atop a pile o f the suc cesses o f "Last Train." From the char acters' first words to the first bits o f laughter, to the breaking o f the "touch barrier," the audience is privy to the subtle workings o f a new rela tionship. Watching the two together is at once enjoyable, funny, and nerve-racking. As May and Raleigh couch their insecurities, rag gently on shows at 4 :0 0 p.m. and 8 :00 p.m., and one Sunday M atinee at 2 :00 p.m. A Saratoga Stages production o f "T h e Catechism o f Sex" is set to run at May 1 through May 3 at 10 p.m., also in the Black Box. Admission for both shows is $ 1 0 for students with ID . Tickets can be reserved through Saratoga Stages at 5 8 1 -8 5 8 7 .
tw o tequila
three tequila
M
ost
of
the
Thursday's perform ance o f
"Last Train to N ibroc" had gray or high above their hips. O ne man, seat ed next to me, fell asleep and snored distractingly throughout the nearly two-hour production, but my neigh
M O RE!
e n j o y one o f our 5 0 s i p p i n g t e q u i l as
white hair, and fastened their belts
bors slumber stemmed surely from senility or a missed dose; "Last Train" was funny, engaging, clever and unpredictable. characters, and Snappy dialogue, perfor believably awkward and stubborn heartfelt mances made me wonder why more Skidmore students didn't take advan tage o f the five-dollar discount reserved for their patronage. "Last Train to N ibroc" chroni cles three key interactions between May, a young woman who aspires to missionary work, and Raleigh, a dis charged soldier who aspires to be a writer. T h e two meet when Raleigh, played by Emory Van Cleve, takes a seat next to May, played by Jenny Eakes, on a crowded east-bound train that just happens to carry the coffins o f two famous authors: Nathaniel West and E Scott Fitzgerald. T h e play, written by Arlene H utton and directed by Seth Barrish and M ichael C onnors, came to Skidmore for a three-week run at the Black Box Theater in JK B . Saratoga Stages, a not-for-profit artistic affili ate o f the Saratoga Performing Arts Center, produced "Last Train" in association with T h e Barrow Group. Saratoga Stages had planned to pro duce Chekhovs "Uncle Vanya," but owing to the ongoing war and cur rent economic downturn decided to do a "smaller, more manageable" pro duction, as stated by Artistic Director Bruce Bouchard in a March 2 8 press release. A t the play's beginning, the lights dimmed to a pitch black, and the rumbling and rhythmic chug o f a locomotive faded into loudspeakers somewhere above the audience. A thin circle o f light set itself on a rail-
Skidmore Student DISCOUNT
10% off
all food purchase:
(dine-in only)
( t h e M e x i c a n C o n n e c t i o n is A L U M N I o wn e d ! )
Eakes trying, apparently, not to look at Van Cleve's finger
Photo courtesy of Saratoga Stages
viva
la
t e q u i l a !
Open Daily at 4 pm C losed Tuesday Entire menu available f o r take-out See our menu at w w w .m exconx .com or c a ll for daily specials 584 - 4466
41 N elson .Avenue ia m ss from the ffji trad;}
Concert Corner
______ Upcoming shows in and around Saratoga
Pearl Jam 4/29@Pepsi Arena
W h o a r e t h e y ? G r u n g e r o c k 's l a st g r e a t l e g
en d s.
Ember Swift 5/4@Caffe Lena
W h o is s h e ? A p o e t a n d fo l k y w h o f r e q u e n t s F a l s t a f f ' s ( o n L iv e l y L u c y ' s n i g h t s ) a n d o t h e r
c o f f e e - s t a in e d c l u b s .
F o r t h o s e o f y o u w it h b a d m e m o r ie s t h e y w r o t e "J e r e m y ," " D a u g h t e r ," a n d " B e t t e r M a n ." F o r
th o se who want to w atch a lt - r o c k g ra d u a lly
Fo r t h o s e w h o w a n t t o relax b e f o r e W a fflefest
a n d w h o n e e d s o m e l iv e l y m u s i c t o l e t t h e m p r o c r a s t in a t e
g r o w in t o t h e
Sto n es.
FROM STUDYING.
Tony Bennett 5/1 ©Palace Theater
W h o is h e ? A b l u e - e y e d c r o o n e r w h o m a k e s r o c k
in g b a l l a d s .
MTV Campus Invasion 5/4@AItmont raceway
W h a t i s rr ? B ig - s t y l e c a m p u s r o c k s h o w w i t h 5 0 C e n t , C o h e e d & C a m b ir a a n d C o u n t t h e S t a r s ,
am ong o th ers.
F o r t h o s e w h o s e pa r e n t s a r e c o m in g in t o t o w n .
F o r t h o s e y o u w a n t t o s e e t h e v io l e n t r a ppe r
befo re he gets w h ack ed and th e young punks
b e f o r e t h e y g o po p .
�
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Lively Lucy's Coffeehouse Collection
Still Image
A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials.
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
Online database - scan - good
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Identifier
An unambiguous reference to the resource within a given context
Skidmore News - Lively Lucys Related
Title
A name given to the resource
[Ephemera] Schedule
Description
An account of the resource
Schedule of concerts happening at Skidmore and in Saratoga including Ember Swift at Caffe_ lena. In the advertisement it mentions that Ember Swift has frequented Falstaff's during Lively Lucy's.
Issue 23, vol. 78, 4/30/03, pg. 23
Skidmore News - Lively Lucys Related
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cb0f3e547a853ca758fe2a4e25cd36dd
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arts & entertainment
The Skidmore News, 0 Month 2002 * 29
Little Shop of Horrors Sells Out
b y Jocelyn Polen
S t a ff W r it e r
Concert Corner
Upcoming shows in and around Saratoga
Dickey Betts & Great Southern
4/18@Northern Lights
W ho
man, is
Lively Lucy's Folk Fest
4/20@The Green
W
hat is it ? on
he? T h e A llm an B r o t h e r s ' f o r m e r f r o n t
S k id m o r e ' s
the
annual of
m u sic
f e s t iv a l
OSTRACIZED FROM THE AGING ROCK BAND FOR HIS
returns
g r een est f o l k ie s
AFTERNOONS WITH
u lv ey ,
ALCOHOL PROBLEM (THEY PREFER STONERS),
Fa l s t a f f 's "J e s s ic a ," S k id m o r e ' s `9 8 . For
fa v o r it e
Peter M
and
F lora
and
S
kidmore was transformed into Skid Row last week when the Cabaret Troupe presented "Little Shop o f Horrors" as it's final produc tion o f the season. Directed by Christopher O 'Donnell `06, the show was a hit, selling out Falstaff's all four performance nights.
Though a desirable venue for an intim ate musical performance, Falstaff's does not lend itself well to theater because o f its physically limit ing parameters. However, the Cabaret Troupe should be commend ed for their proficient use o f space as they successfully portrayed the scenery o f Mushnik's flower shop, the dentist's office and the streets o f Skid Row all with one tiny stage. On that tiny stage, the tragic story about three employees o f a flower shop was told-blood, chloro phyll and all. Greg Ludovici `04 played Seymour, the geeky yet lov able assistant o f Skid Row's only flower shop owner, Mr. Mushnik (Joshua Royle `06), a greedy man who abused him horribly. Seymour was desperately in love with his stereotypically blond co-worker, Audrey (Emily Gardener `06), who happened to be in a relationship with the sadistic Orin Scrivello, D .D .S. (Lance Meyerhoff `06), though she secretly fantasized about living in suburbia with Seymour. The three "Urchin" girls who always hung around Mushnik's flower shop, played by Lauren Doherty `04, Nicole Broussard `03 and Alison M cGlone `06, loosely nar rated the story o f these characters using the power o f their vocal chords to guide the audience. They told the story about how, on one normal day when Mr. M ushnik was abusing Seymour, Orin was abusing Audrey and there were no custom ers at
Mushnik's, a strange and unusual thing happened which would change the course o f their lives forever. Seymour unveiled an unidentifi able "strange and unusual plant" to Mr. Mushnik, which he had bought a week earlier for a dollar just after a solar eclipse. At first, Mushnik was annoyed with Seymour, but after a woman happened to come into the shop because she saw "that strange and unusual plant in the window," M ushnik realized that business would be enhanced if the plant were placed in the shop's window. The plant, which Seymour named Audrey II, had eventually made him famous and business increased tenfold for Mushnik's. The only problem about Seymour's fame was that in order to keep the plant growing, he had to feed it fresh human blood. The plant, puppeteered by Lauren Sheehy `06, spoke to Seymour with amazing energy, illustrating the pressure on Seymour to provide "fresh meat" for it to grow. Ludovici did an excellent j'ob as Seymour, who succumbed to the plant's wishes by feeding it fresh blood, transforming his once inno cent self into a murderer. Within the tragic plot o f the play, there circulated a more subtle humor. The actors presented this humor beautifully from Meyerhoff's performance as the sadistic dentist who always high on laughing gas to the Audrey's soliloquy in the song " Somewhere That's Green," in which she fantasized about the mass-pro duced luxuries o f suburbia. " Little Shop o f Horrors" not only presented the sad story o f two people in love, but it also portrayed a more cynical view o f human beings who will stop at nothing to fulfill their own desires.
Fo r
and
t h o s e w h o w a n t t o h e a r h i t s l ik e
Ree d , Randi
D
r is c o l ,
Ryan
F it z s im m o n s ,
" B l u e S k ie s "
ja m m e d o u t a n d i n a s m a l l s e t
own
J e r e m y B o r e r `01
L isa B a s t o n i
t in g .
t h o s e w h o m a k e t h e w e e k ly
T
h u rsd a y t r e k t o
A ddison Groove Project
4/19@ Northern Lights
W h o a r e th e y ? A B o s t o n b ased g r o o v e p r o je c t
w h o h a v e b e e n S k id m o r e 's u n o f f i c i a l h o u s e - b a n d
L u c y 's
a n d w h o w a n t t o e n jo y a n a c o u s t i c a f t e r
no o n o n th e green.
Billy Joel, Elton John
4/24, 4/26@Pepsi Arena
W
h o are t h e y ?
s i n c e t h e l a t e 1 9 9 0 s. F o r t h o s e w a n t t o s e e S k id m o r e 's f a v o r i t e s e x t e t a f e w w e e k s b e f o r e t h e y ja m i n t o t h e b ig -tim e . A f t e r J o h n H a l l `0 3 g r a d u a t e s AGP is g o i n g p r o .
C l a s s ic - p o p ' s P e p si
t w o f in e s t p ia n o m e n
return to t h e
fo r tw o n ig h t s .
For
t h o se w h o w ant t o see w hat
B en Fo ld s'
pa r
e n t s l o o k e d l ik e .
Cheap Trick
4/24@The Egg
W
ho are th ey?
T
he
1970s
h i t m a k in g m e t a l - h e a d s
w h o s in g
" I W a n t Y o u T o W a n t M e ." C h eap T
r i c k 's
Fo r H it s
t h o se w h o ju s t lo v e a lbu m .
G
r ea test
Snapshot of the Arts
Pete morse `03, Mac Guy `04, Jeff Parker `03 and Jason Domnarski `03 celebrate the first rays of spring sun with some jazz.
photo by Britt Brouse
�
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Lively Lucy's Coffeehouse Collection
Still Image
A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials.
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
Online database - scan - good
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Identifier
An unambiguous reference to the resource within a given context
Skidmore News - Lively Lucys Related
Title
A name given to the resource
[Ephemera] Schedule
Description
An account of the resource
Schedule of concerts at Skidmore and in Saratoga including Lively Lucy's Folk Fest on 4/20/03.
Issue 22, vol. 78, 4/18/03, pg. 29
Skidmore News - Lively Lucys Related
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f5aefd262ad7dad2c4d6352b656c0525
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Text
arts & entertainment
The Skidmore News, 15 November 2002*
19
"After Life"
by Ben Fleisher
A s s is t a n t A & E E d it o r
es, that's right, our very own Scribner Library is host to a slew of wonderful movies that you can get... for free! With that said, the atten tion turns to "After Life." This wonderful little Indy nugget from Japan is full of surprises. MOVIE STORE Director Kore eda Hirokazu COWBOY takes you _________________ through his vision o f the events after death. Though this is not one of those movies that you would want to throw in on Friday night before Excelsior, it is an example of an art film that holds your attention even in the absence of glitz and glamour. Imagine that after you die, your soul is transported to a place where you have one week to pick a memory of your past life. In this place there are people who help with your choice. They even go as far as to show you, in videocassette form, every moment of your life. The idea is that after the memory is chosen, you will live that memory for the rest of eter nity. Is this a simple choice? No, not
Y
at all. Sifting through memories in order to pick the one that you would want to live out for eternity is quite an arduous undertaking. Is a week enough time to pick one that you can be happy with through eternity? "After Life" also disposes the audience to wonder what memory they would choose, or whether they would be a part of someone's fondest memory. Sure, it's one o f those think ing films, but that's its main draw. In the vein o f recent movies like "Waking Life" (also available in the Library), it borders on interactive. The plethora of characters that grace the screen, even the souls that only appear once or twice, breathe with a life and depth of character rarely seen even in contemporary leading char acters. The audience's participation in this film keeps it entertaining; you are able to see yourself reflected in at least one of the characters. There are plenty of modern movies you can throw in and tune out. The wonderful thing about "After Life" is that it is the complete polar opposite, yet it keeps your attention throughout. If you're into this kind of film, run to the Library and check it out. If not, give it a try with a friend who is. It will not be a waste of your time. Call Number: PN1995.9 F67 A37
Skidmore Takes in a Night at the Opera
by Chris Ladd
A & E E d it o r
Press Release___
olk mistress Erin McKeown will be performing a free concert for the Skidmore Community at 3 p.m. on Sunday, November 17 in the Spa (Case Center). McKeown, who calls herself a mix of "Django Reinhardt and G. Love," is proficient on bass, piano, electric and acoustic guitars as well as banjo and mandolin. Blending swing, jazz, edgy pop, and cabaret inflected vocals, McKeown remains categorically elusive. Don't miss this special Sunday event! Sponsored by Lively Lucy's Coffeehouse and the Class of 2005. For a complete Lively Lucy's season calendar please visit: http://www.fusf.org/livelylucy/ Erin McKeown: www.erinmckeown.com/ Flora Reed will be opening the show: www.florareed.com
F
J U S T W E A R IT .
kidmore's best opera singers wowed a nearly full house at 8 p.m. last Saturday night as the Music Department's Opera Workshop presented "A Night at the Opera!" in Filene Recital Hall. Twelve soloists performed seventeen works of composers ranging from Monteverdi to Mozart to Leonard Bernstein. The event seemed more a com munity affair than a campus one; relatively few of the crowd were of college age. Most in attendance had hair with at least a touch of gray, upon which the vast majority rested their glasses. Regardless of age, the audience was undoubtedly a warm and responsive one. House lights dimmed at eight o'clock precisely, and the formerly chatty audience settled into their seats and rustled their programs to get a jump start on the translation of the first piece, a duet from Monteverdi's "L'incoronazione di Poppea" performed by soprano Alexina Jones `03 and tenor Jason Dolmetsch `04. Indeed, most performances Saturday evening began and ended identically, emerging soloists smiling as they took position before the piano, bowing their heads in prepa ration, and then lifting them to start their respective pieces. Similarly, each song's end prompted a healthy bow from the performers .and an appreciative nod to their accompa nists, who, when they weren't play ing, sat and watched from the first row. All the singers were impressive; the sheer talent, showmanship, and vocal caliber of some undeniably rivaled professionals. Soprano Julia Chalfin `04 and baritone Ross Shikowitz `03 captivated the audi ence with a rendition of "Dite alia giovine" from Verdi's "La Traviata." Chalfin's expressive and heartbreak ing aria contrasted nicely with Shikowitz's rich, powerful baritone
S
Performers Ross Shikowitz `03, left, Julia Chalfin `04, right, with vocal coach Anne Z. Turner, center.
photo by Richard Chalfin
response. The two worked together fabulously, being at once intimate and accessible, every bit like actors playing a role as singers singing a song. In addition to their duet, Chalfin and Shikowitz each per formed solo works by Mozart. Chalfin sang a sorrowful number from "The Magic Flute," and Shikowitz drew hearty chuckles and rounds of applause with his com manding performance of "Non piu andrai" from "The Marriage of Figaro." Perhaps the highlight of the evening was soprano Alexina Jones's "Les oiseaux dans la charmille" from Jacques Offenbach's "Les Contes d'Hoffman," in which she plays the part of Olympia, a wind up doll who tricks the protagonist into thinking she is real girl. Jones, with her fixed smile and robotic move ments, was thoroughly enjoyable and convincing. Several times with in the piece, Jones bent suddenly over, arms drooping to the floor, head hanging limply from her shoulders, where she stayed until a loud winding noise (ksshht, ksshht, ksshht) from the audience ratcheted her mechanically up to her former height, whereupon she went on singing with her fixed smile as if nothing had happened. Apparently,
she had come unwound. A smiling crowd ate it up. Still more amazing than Jones's impressive presentation were the phenomenal high notes she achieved within the challenging piece, whose end brought a seemingly impossible string of arpeggios largely unsup ported by the piano. Jones's aston ishing control, humor, and grace undoubtedly stole the show^ To the credit of coaches Anne Turner and David Rives, the twohour program was lively and engag ing and the portion after intermis sion filled largely with lively, fun pieces, while more serious fare made up the first half. On his way out of the Filene Recital Hall with his wife, community member Nick Biancorda joked, "we love the opera, the only problem was, it wasn't long enough. We could have gone anoth er two hours, easy." Kristin Labriola `05 may just be an opera convert. "I came not thinking I was going to like it so much, because I don't really like opera, but I really enjoyed it," she said. "It was beautiful and moving; it brought a tear to my eye, to be perfectly honest."
�
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Lively Lucy's Coffeehouse Collection
Still Image
A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials.
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
Online database - scan - good
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Identifier
An unambiguous reference to the resource within a given context
Skidmore News - Lively Lucys Related
Title
A name given to the resource
[Ephemera] Press release
Description
An account of the resource
Press release for artist Erin McKeown, performing in the Spa. Presented by Lively Lucy's Coffeehouse
Issue 10, vol. 78, 11/15/02, pg. 19
Skidmore News - Lively Lucys Related
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b86858256ca38c26f70f5db0bbe42c7e
PDF Text
Text
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Lively Lucy's Coffeehouse Collection
Still Image
A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials.
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
Online database - scan - good
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Identifier
An unambiguous reference to the resource within a given context
Skidmore News - Lively Lucys Related
Title
A name given to the resource
[Ephemera] Article
Description
An account of the resource
"What is so Lively About Lucy's?" by Jenny Sheffield. An article about Lively Lucy's and the many shows and events that the club puts on.
Issue 3, vol. 78, 9/27/02, pg. 24
Skidmore News - Lively Lucys Related
-
http://history.caffelena.org/files/original/f170b91ccd5e162e380f36492dbd8648.pdf
257d3fbbd49a3b6fc6b98426c10d4cf9
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Lively Lucy's Coffeehouse Collection
Still Image
A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials.
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
Online database - scan - good
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Identifier
An unambiguous reference to the resource within a given context
Skidmore News - Lively Lucys Related
Title
A name given to the resource
[Ephemera] Article
Description
An account of the resource
"Ember Swift Makes Quick Work of Falstaffs" by Erin DeCou. Review of a performance by artist Ember Swift at Falstaff's. The show was hosted by Lively Lucy's Coffeehouse.
Issue 2, vol. 78, 9/20/02, pg. 24
Skidmore News - Lively Lucys Related
-
http://history.caffelena.org/files/original/a0778af272e3b4a370f1318d7c4de2a5.pdf
622cb538d6858b4edd77498caf2105da
PDF Text
Text
arts & entertainment
The Skidmore News, 5 April 2002 · 1 1
Sinem Returns to Skidmore No Need to `Panic'
b y A lex W olff
A ssis t a n t N
ew s
E d it o r
T
his past Thursday at F alstaff's Sinem performed a no-cover show. The
Skidmore graduate played solo to a small crowd, who seemed to appreci ate this relaxing end to a stressful aca demic week. Sinem is a singer/songwriter who has played frequent gigs in the upstate area and occasionally at small clubs in the city. Her music is charac terized by a high smooth voice and elements o f folk, "like Ani Difranco but not so angry," said Stephanie Dennington `04. She just held a party at Bailey's Cafe this March for the release o f her first album, a 3track m ini-CD. Sinem was also a member o f the Skidmore Accents,
CONCERT REVIEW
and many o f her former jam mem bers showed up to cheer her on. It was a sparsely attended show with about 20-30 listeners coming and going. The W hite Face Mountain Boys opened the show at 9 p.m. A four-person bluegrass band composed o f Skidmore students, The White Face Mountain Boys feature a banjo, lead guitar, bass guitar and lead singer Josh, who performs quite well without the assistance o f a microphone. After about an hour o f playing their favorite songs and tak ing a few requests, Sinem took the stage. Her trademark dark pink jacket with boa trim, dark pants and matte black guitar offered a clue to the mood o f the music that was to fol low. "Nothing is Forever," a demure piece about growing up and growing apart, was example o f the life-lesson themes that riddled her music. Sinem
explained "Even W hen Another Night Will Fall," the most moving song o f the evening, as "from the per spective o f one who has died and his feelings toward her as he watches her sleep." Despite the absence o f her backup band, nothing seemed to be lacking in her music. To accommo date for the limited range o f her gui tar, Sinem attached a clip to her gui tar's neck for deeper tones. M ost her songs were quite slow, and she jokingly warned her audi ence to "please get some more tea" during her break between sets. Sinem began her second set with a light, simple song consisting o f only four chords that she wrote when she was 15- She also offered free copies o f her music in exchange for joining her m ailing list. Her next show at Skidmore will be April 21 at the Lively Lucy's Annual Folk Festival.
Fincher's latest is worth the ticket
by Kirk Cassels
F u n E d it o r
W
hen you have sequential suc cess with such films as "Seven," "The Gam e," and "Fight Club," audi ences will have high
expectations for your next release. Such is the situation that director David Fincher faces with "Panic Room." He remains loyal to his hyp notic style, with scrolling shots through walls, floors, and ceilings, picking up every detail as if still inside Ed Norton's head in the opening sequence o f "Fight Club." He had a townhouse built, and then digitally recreated it into a computer, reflecting his obsession with filming technique. His obsession pays off, and he directs a simple story into a gripping thriller. Unlike Fincher's earlier films, "Panic Room" does not have twists and surprises. The film begins with Jodie Foster's character looking for a new home for herself and her daughter after her divorce. After a quick, yet stunning, examination of the panic room (with its concrete and steel walls, multiple surveillance screens, first aid and food packages etc.), the film dives right into good stuff.
MOVIE REVIEW
Forest Whitaker, Jared Leto, and Dwight Yoakam appear on a rainy night, their eerie shadows creeping around the windows o f the house. The three work incredibly well together. Whitaker, the most moral o f the three, is reserved and and has expertise with the security system. Leto is the manic, aggressive, and occasionally stupid grandson o f the man whose millions they are seeking. Finally, Yoakam is the ski-masked stranger who begins as dis turbingly calm and ends as disturbing ly violent. Foster and her daughter (played by Holt Mcnalley) are just as impres sive, especially when cursing at the three intruders through the PA system in the house. In fact, it is the chemistry between the duo and trio (in addition to Fincher's shots o f course) that pro pel the otherwise simple plot. "Panic Room" is not jump out o f your seat scary like "Seven," nor is it fist-clenching intense like "Fight Club." Instead, it is a grip your armrest show, coupled with periodic sensations o f safety as Foster and her daughter enjoy brief moments o f comfort in the room. It may not be Fincher's best movie to date, but it is certainly not his worst.
WSPN LISTS
# A RTIST Recording 1 HAYDEN Skyscraper National Park 2 G O O D LIFE The Ghost 3 EN G IN E D OWN Demure 4 C U B COU NTRY High Uinta High 5 PIEBALD We Are The Only Friends We Have 6 SUPERSUCKERS Must've Been Live 7 C LIN IC 3 EP's 8 CLEM SN ID E Moment in the Sun EP 9 764-HERO Nobody Knows This Is Everywhere 10 BEN KWELLER Sha Sha 11 BLADE 2 SO U N D TR A CK 12 REVEREND H O RTO N HEAT Lucky 7 13 SUPER FURRY ANIMALS Rings Around The World 14 BUFFALO D A U G H TER I 15 AND YOU WILL KNOW US BY T H E TRAIL OF DEAD Source Tags And Codes 16 BADLY DRAWN BOY About A Boy 17 SID HILLM AN QUARTET Volume 2 18 FLO G G IN G MOLLY Alive Behind the Green Door 19 BOARDS OF CANADA Geogaddi 20 ELVIS C O STELLO Tear O ff Your Own Head (It's A Doll Revolution) C D 5 21 PROMISE RING Wood/Water 22 SCHATZI Fifty Reasons to Explode 23 SIX PARTS SEVEN Things Shaped in Passing 24 ED HARCOURT Here Be Monsters 25 TH IS IS W HERE I BELO NG: T H E SO N G S OF RAY DAVIES A N D T H E KINKS VARIOUS ARTISTS 26 MY M O R N IN G JACKET/SONGS-. OHIA Split EP 27 JO SH R IT TER Golden Ages O f Radio 28 SEAFOO D When Do We Start Fighting 29 VELVET T EEN Out O f The Fierce Parade 30 ANDREW W.K. I Get Wet # ARTIST Recording 1 MAXWELL IM PLOSION Small Circle of Friends 2 CANDY BUTCHERS Play With Your Head 3 W H ITE STRIPES White Blood Cells 4 EILEEN ROSE Long Shot Novena 5 M O ONEY SUZUKI Electric Sweat
The Internet is History
by Joseph Simmons
S t a ff W r it e r
resident Clinton's first term is just coming to a close, the Star Wars Special Editions are coming to theaters, and there is no Tang. This is no dream - it's W ebsite of the www.archive.org. This glorious site has been collecting every page it possibly can since 1996. Nicknamed the "Wayback Machine," its intention is to serve as a permanent library for digital collections. The creators of the site realize that one of the world's greatest inventions, the Internet, has been quietly seeping away into oblivion, and no records are kept of its evolution or substance.
We e k
P
TH S KW ID M O N EE SR E :
A s s o c ia t e d C o l l e g ia t e Press
1999 - 2002
MEMBER
The library is a public nonprofit organization that not only includes most websites from the last 5 years, both exist ing and discontinued, but also a collec tion of downloadable movies spanning 70 years (c . 1903 -c . 1973). No member ship is needed in order to access most of the information - simply type in an inter net address to access a catalog of all pages with that address that have been collected since 1996. Even Skidmores old web pages can be accessed, which include information on the newly-opening science wing, mes sages from the beloved President Porter, and the inauguration o f President Studley.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Lively Lucy's Coffeehouse Collection
Still Image
A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials.
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
Online database - scan - good
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Identifier
An unambiguous reference to the resource within a given context
Skidmore News - Lively Lucys Related
Title
A name given to the resource
[Ephemera] Article
Description
An account of the resource
"Sinem Returns to Skidmore" By Alex Wolff. Article reviewing a show at Falstaff's. A performance by Sinem, a Skidmore graduate. The article mentions that Sinem would be playing at Lively Lucy's Folk Festival.
Issue 8, vol. 77, 4/5/02, pg. 11
Skidmore News - Lively Lucys Related
-
http://history.caffelena.org/files/original/cc410b3d399a5ee15366efb2b985d4bb.pdf
c79b5450c2a17c62f7865a8625a044fa
PDF Text
Text
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Lively Lucy's Coffeehouse Collection
Still Image
A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials.
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
Online database - scan - good
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Identifier
An unambiguous reference to the resource within a given context
Skidmore News - Lively Lucys Related
Title
A name given to the resource
[Ephemera] Article
Description
An account of the resource
Article discussing the Skidmore music scene and mentions Lively Lucy's as a group that brings many folk musicians to campus.
Issue 23, vol. 76, 12/7/01, pg. 19
Skidmore News - Lively Lucys Related
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http://history.caffelena.org/files/original/7ce249df32ad0a1c7c831374e7046acd.pdf
c79b5450c2a17c62f7865a8625a044fa
PDF Text
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Lively Lucy's Coffeehouse Collection
Still Image
A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials.
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
Online database - scan - good
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Identifier
An unambiguous reference to the resource within a given context
Skidmore News - Lively Lucys Related
Title
A name given to the resource
[Ephemera] Artilce
Description
An account of the resource
"Jocelyn Arem: Skidmore's Singer, Songwriter," by Anna Brown Massey. Article about Jocelyn Arem, her love of music and commitment to several activities on Skidmore's campus. The article mentions that Jocelyn has played at Caffè Lena. The article mentions that Jocelyn Arem is vice president of Lively Lucy's
Issue 23, vol. 76, 12/7/01, pg. 13
Skidmore News - Lively Lucys Related
-
http://history.caffelena.org/files/original/4df25f412cfe66e70043ac4613ddc38a.pdf
44c34bc0d5597701e3a7995295dd1c4d
PDF Text
Text
arts & entertainm ent
page 23 of The Skidmore News, 19 October 2001
CONCERT CORNER
Fri Fri Sat Sat Sat Sat 10/19 10/19 10/20 10/20 10/20 10/20 Bad Ronald Valentine's Music Hall - Main Room (Albany, NY) Hair of the Dog Parting Glass (Saratoga Springs, NY) Pledge of Allegiance Tour Pepsi Arena (Albany, NY) Suran Song in Stag Valentines Music Hall - Main Room (Albany, NY) Eric Andersen Caffe Lena (Saratoga Springs, NY) Hair of the Dog Parting Glass (Saratoga Springs, NY)
Playing northern Lights This Saturday, Oct. 20th
lo n g b e a c h dub all stars
Sun 10/21 Mon 10/22 Tue 10/23 Tue 10/23 Tue 10/23 Thu 10/25 Thu 10/25
Tom Lewis Caffe Lena (Saratoga Springs, NY) Lo Faber Band The Club Caroline (Saratoga Springs, NY) Flapjack Caffe Lena (Saratoga Springs, NY) Ani DiFrancoThe Skidmore Gym (Saratoga Springs, NY) Acoustic Trauma Lionheart Blues Cafe (Albany, NY) Another Man Down Valentines Music Hall - Main Room (Albany, NY) Freddy Z Parting Glass (Saratoga Springs, NY) NEW STUFF Bush-Golden State Cranberries-Wake up and Smell the Coffee DMX-Great Depression Dave Matthews Band-Live in Chicago Govt Mule and Friends-The Deep End Volume 1 Incubus-Morning View Various-Now Chrismass Snoop Doggy Dogg-Death Rows Greatest Hits
.DY.Dk Dr. Doolittle 2 Final Fantasy Freddy Got Fingerd
C d s:
HEY C'MON...LET'S DANCE
WEAR YOUR COSTUMES AND COME PREPARED TO
WIN $300 cash!
Grand Prize Second Prize Third Prize |300 couple $200 couple $100 couple
All tides are subject to being changed so be sure to check with your favorite local retail monopoly to make sure of release dates!
One environment. One simple way to care for it.
SWING DANCE COMPETITION
With The Dorsey Brothers Orchestra
H elp U s Celebrate Veterans Day
Saturday, November 10, 2001
C o rn e r, o f C e n t r a l a n d C o lv in , A lb a n y , M ew Y o rk
Ar m o r y Ce n t e r
For more irfonrntion and application please call VetCare at (518) 6265521
DEADLINE TO APPLY IS OCTOBER 1, 2001
Represent your School at a "Salute to Veterans"
Earth Share
www, earths hare.org
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Lively Lucy's Coffeehouse Collection
Still Image
A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials.
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
Online database - scan - good
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Identifier
An unambiguous reference to the resource within a given context
Skidmore News - Lively Lucys Related
Title
A name given to the resource
[Ephemera] Calendar
Description
An account of the resource
Calendar events at Skidmore including a listing of Lively Lucy's Coffeehouse Thursday the 4th.
Issue 18, vol. 76, 10/19/01, pg. 2
Skidmore News - Lively Lucys Related
-
http://history.caffelena.org/files/original/32b19edf53b2a875f0ec15b3b9afc4a2.pdf
e8d4bd9def7228986b8ca91686fa2789
PDF Text
Text
arts &
page 12 of The Skidmore News, 12 October 2001
September 11:
Skidmore's Continuing Response
by M ike Greenhaus
A +E E d it o r
CONCERT CORNER
Fri 10/12: Brooks Williams Caffe Lena (Saratoga Springs) South Catherine Street Jug Band Parting Glass (Saratoga Springs) Sat 10/13: Sam Bush Egg Kitty Carlisle Hart Theatre (Albany, NY)
ach day students can watch the World Trade Center burn in the Saisselin Art Building. Three brightly colored paintings o f the Towers hang on the art building's walls, recounting the events o f the September 11 tragedy. Created by Kristen Snelling `02, the paintings form the nucleus o f the Response Wall, a continuing project that aims to explore the events surrounding the attack on America and its aftermath. Over the past month, dozens o f students and community members have anony mously added their art, poetry, and memories to the gray walls o f the build ing's atrium, creating Skidmore's most powerful exhibit o f artistic expression. Snelling's work belies the theme because it shines in a variety o f bright green and purple hues, each o f these paintings conveying the torment o f the Twin Towers tragedy. Snelling uses a series o f waving lines to create the World Trade Center and the New York City sky line which lies in its shadow. Though the Towers seem solid when placed in the foreground o f her painting, Snelling's creative use o f line adds a feel ing o f frailty and unsteadiness to the work, as if the Towers are blowing in the wind. O ne picture shows the Towers standing strong above New York City, while a second shows a plane flying towards the doomed buildings. Another picture shows the Towers drowning in a sea o f bright red fire. The fire seems to engulf the entire painting, as if it was hungry to devour the livelihood the buildings represented. Snelling's final picture simply shows a sun trying to cast its light over New York, but blocked by a
E
mass o f red clouds and smoke. in the cloud o f smoke, but Phillips attests Similar images o f burning buildings that any similarities are just coincidences. and crashing planes are scattered across It is a perfect example o f the Response the Response Wall, but the wall's most Wall's intentions, to have a collection o f powerful work centers around the images and words from Phillips create a Twin tragedy's victims. A map o f New York continuing dialogue to which anyone can respond. City, issued by the United States Postal Service, shows Manhattan Island divided Scattered phrases and poetic mum into its numerous postal districts. The blings also help to fill the wall. A short, black and white map is nothing more handwritten phrase declaring "We W ill than an outline o f New York City, yet the Rebuild," is placed next to an old photo image is able to graph o f the World highlight the Trade Center, while hole the build it was still under ing's absence construction. has left in the Another black and City. Each dis white photograph trict looks like captures the surreal a puzzle piece image o f an airplane which comes landing amidst a sea together to cre o f clouds. Next to ate Manhattan, the image is written but, without the line "I walked the World Trade Skidmore's response wall in the art building on air next to you." Center, the puzzle is incomplete. Above These surreal images help to turn emo the picture hangs the number 10048, as tions and abstract thoughts into tangible if it is lost among the papers and pictures objects that can be studied as New which cover the Response Wall. O nce the Yorkers begin to rebuild the disaster site. ZIP code for the World Trade Center, the W ith a month o f work covering the number is now displaced like all those Response Wall, the art building's atrium who once conducted their lives within its has become a symbol o f Skidmore's con bounds. nection to a tragedy which is slowly O ther haunting images loom down becoming removed from daily life in from the wall. Nestled in a cloud o f Saratoga. Words, images, and thoughts smoke, the face o f the Devil seems to will continue to fill the Response Wall, hover above the eroding World Trade but unlike the other exhibits located Center. Taken by photojournalist Mark throughout the building, the wall may Phillips, the image has amassed consider never be completed and will, hopefully, able attention on the Internet and was never have to be. · added to Skidmore's Response Wall a few weeks ago. Some individuals have accused Phillips o f manipulating his work so that the Devil's face can be seen
Valentine's Music Hall - Downstairs (Albany, NY) Meg Hutchinson Caffe Lena (Saratoga Springs) Soul Ingredient Parting Glass (Saratoga Springs) Sun 10/14: Mike Watt Valentine's Music Hall - Main Room (Albany, NY) Mon 10/15: Fred Gillen, Jr. Fallon and O'Brien's Larkin (Albany, NY) Thu 10/18: Jamie O'Neal Palace Theatre (Albany, NY) Sunny Weather Valentine's Music Hall - Main Room (Albany, NY)
entertainment
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Lively Lucy's Coffeehouse Collection
Still Image
A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials.
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
Online database - scan - good
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Identifier
An unambiguous reference to the resource within a given context
Skidmore News - Lively Lucys Related
Title
A name given to the resource
[Ephemera] Calendar
Description
An account of the resource
Calendar of events at Skidmore including a listing of Lively Lucy's Coffeehouse Friday the 5th.
Issue 17, vol. 76, 10/12/01, pg. 2
Skidmore News - Lively Lucys Related
-
http://history.caffelena.org/files/original/a76e6f0f20507ad3cc72e9ff8b5cb6c1.pdf
6098165e1d93e2c90e072b5ba67d9a3c
PDF Text
Text
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Lively Lucy's Coffeehouse Collection
Still Image
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Skidmore News - Lively Lucys Related
Title
A name given to the resource
[Ephemera] Schedule
Description
An account of the resource
Schedule of concerts at Skidmore and in Saratoga including Peter Mulvey performing at Falstaff's hosted by Lively Lucy's.
Issue 16, vol. 76, 10/5/01, pg. 3
Skidmore News - Lively Lucys Related
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9907175ee992ea9466a9af3dce4bf816
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arts & entertainment
page 13 of 77ie Skidmore News, 21 September 2001
w h a t ' s new
Coming to Stores 9/25/01
CONCERT CORNER
Friday 09/21/01: Rane & Aaron Katz Project Skidmore Green-Saratoga Springs, NY
Cds:
Jim Brick Man-Simple Thing DCOL-Pulse Various: Totally Hits 2001 Days of the New-Days of the New Verve Pipe-Underneath n -----1 H: - 1 1 « s` , u iaiciu i u ea u -m yu i Min ot uiomonds
Saturday 09/22/01 Altan Irish american Center-Albany, NY Runna Muck & Anthem Valentines-Albany, NY Gordon Stone Band Parting Glass-Saratoga Springs, NY Black 47 McGeary's Tavern-Albany, NY
DVDS:
The Who's Quadrophenia The Simpsons: Season One Along Came a Spider Barbarions at the Gate Klngdome Come Thursday 09/13/01 Peter Mulvey Lively Lucy's Coffeehouse (Falstaff's)Saratoga Springs, NY Eddie From Ohio RPI-Troy, NY Monday 0924/01 Lo Faber Band (f. members of God Street Wine and the Ominous Seapods) The Club Caroline-Saratoga Springs, NY
All titles are subject to being changed so be sure to check with your favorite local retail monopoly to make sure of release dates.
It claims good people.
UNTREATED
e r s i n d p o
#1 Cause o f Suicide
push back.
I
Wider mouths,
higher proofs, bigger bottles, lower prices - all push you to drink more beer faster. Push back. Drink less, slow down or don't drink at all.
Public Service message from SAV E (Suicide Awareness Voices of Education)
http://www.save.org
Cut big beer down to size.
�
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Lively Lucy's Coffeehouse Collection
Still Image
A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials.
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
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The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
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Skidmore News - Lively Lucys Related
Title
A name given to the resource
[Ephemera] Schedule
Description
An account of the resource
Schedule of concerts in Saratoga including Peter Mulvey performing at Lively Lucy's Coffeehouse (Falstaff's).
Issue 14, vol. 76, 9/21/01, pg. 13
Skidmore News - Lively Lucys Related
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5fc45d3492702e977779056df5446a51
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10
a &r t s
by Mike Greehaus
A & E E d ito r
Blues, Jazz, Folk and Styrofoam Spring Fling Weekend 2001
The Spring Fling music festivities started early Saturday Afternoon, with Skidmore's first Blues and Jazz Festival. If the previous evening had been a 4/20 cel ebration, Saturdays festivities celebrated Skidmore's other green passion: Earth Day. "Our goal was to tap into Skidmore and community's resources, and put on a event which would bring new music to the green," said festival co-organizer Rob Kurtz `02. Beginning with faculty group Mid-Life Crisis, the afternoon showcased a wide range of blues and jazz music. Four bands from Skidmore and Saratoga Springs performed, playing four very different styes of jazz and blues. Though one musical genre, the festival showed the wide range of sounds and styles which exist within the jazz move ment. The event's crown jewel came early in the day, when several Skidmore music professors joined forces to create an all-star lineup of professional talent. As four tal ented musicians, the group seemed to be having fun while they played, jumping through several jazz and rock covers from their youth. The quartet was followed by No Oudet, who played a stripped down, organic mixture of blues, jazz and south ern music. An upright bass and lap guitar helped give the trio the feeling of an authentic country blues band. If No Oudet explored where jazz and blues came from, the Tim Peck Trio showed were it was headed. Taking a musi cal leap 30 years into the future, the Tim Peck Trio highlighted a mixture of jazzfusion and progressive rock, characteristic o f the Delband, in which drummer Zak Trojano `02 had previously performed. The bass-drums-keyboard collective creat ed a jazz-fueled blend of psychedelic stew, which showed the individual talents off all three performers. The group nodded to booths and organic goodies which had been erected on the Green. Face painters and stilt walkers helped create Friday's fes tive feel, though a few ominous clouds put a damper on the event. Unlike Friday, Skiddies stayed true to the message of earth day by cleaning up after themselves, and leaving the green with only a few plates (none styrofoam) and cigarette butts. After a busy Saturday, Sunday's Lively Lucy Folk Festival provided a chance for Skiddi es to relax to the sounds of four tal ented acoustic folk singers. While poor weather deterred students from attending last year festivities, the Green was packed with academic procrastinators and folk enth usiasts. The duo Chris and Meredith Thompsonn, whb performed at Lively Lucy's earlier this year, opened the festival, with their blend of acoustic guitars and percussion. Boston-based singer Deb Talan delivered a Similar acoustic folk vari ation, relying solely on her voice and gui tar to spread her powerful music. The day's third performer Mark Geary changed the show's atmosphere. Not only did he pro vide a male voice in the show, but also a British accent, as he acted as the weekend's first performer from abroad. Though British, Geary played an American blend of folk and acoustic music, which reflected a strong Dylan influence. Catie Curtis, the festival's headliner, ended the weekend on a high note, obtaining the attention of stu dents across the green. Perhaps the week end's best-known performer, Curtis attracted fans from outside Skidmore, who traveled to see her perform at the festival. After a semester filled with jam, rap, and funk groups, it was nice to end the semester with an eclectic blend of musi cians, who traveled from near and far to celebrate Skdimore's most lively weekend.
y dusk Friday evening, a sea of sty rofoam had formed between the blades of grass on Case Green. Empty beer cans, dirty plates, and a mys terious green resin stood quietly as a few remaining Skiddies strolled across the quad. By a stroke of SEC luck, or careful Spring Fling planning, the weekend of April 20, had become a full-fledged Skidmore rock concert. Three days of music, barbecues, frisbee and festivities were held on Case Green, giving a diverse group of musicians a chance to shine beneath Skidmores newly emerged sun light. Before the music started, Skiddies, and a few confused accepted candidates, emerged from their Winter hibernation to enjoy what was, in many ways, the first weekend of Spring. Veggie burgers, bongo drums, and bubblers were on hand to help ring in the festival, as the weekends first performer took the stage. Best known as the leader of the Green Light Band last year, Evan Saffer `00 began the weekend by performing with his band Fixer. Having played keyboards in several musical groups at Skidmore, Saffer surprised many stu dents by switching to electric guitar, help ing to give his new group a distinct indierock feel. The next group to perform was New York City's The Diamond Club, whose unremarkable sound failed to keep Skiddies dancing. Closing out the evening was reggae band Vibewise, who trudged through a few of their worldbeat covers and originals, despite the evenings dwin dling crowd. As last semester and Friday evenings outdoor races proved, it takes an early evening eclipse or Addison Groove Project to keep Skiddies on the green past dusk.
B
Skidmore's own Evan Saffer `01 Rocked out with the band Fixer on April 20.
their influences by covering artists with Pink Flood and Medeski, Martin, and Wood who have taken the message and music of jazz into the twenty-first century. Several Tim Peck Trio members remained on stage for the evening's final group Tim Peck Trio. Though the group added music stands and sheet music to the stage, they did not revive the traditional jazz of the early afternoon. Instead, the group played a horn-heavy big band feel, which featured several horn soloists, including Mike Strange `01 and Emily Hemry `02. The instrumental collective delivered a wide variety of jazz standards and covers, which nodded to their professors as well as their fusion brethren. While musicians played on stage, Skiddies and alumni wondered through the maze of environmental information
The Skidmore News ·2 7 April 2001
entertainment
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
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Lively Lucy's Coffeehouse Collection
Still Image
A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials.
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Skidmore News - Lively Lucys Related
Title
A name given to the resource
[Ephemera] Article
Description
An account of the resource
"Blues, Jazz, Folk and Styrofoam Spring Fling Weekend 2001" by Mike Greehaus. The article mentions Lively Lucy's Folk Festival which took place on Saturday of Spring Fling. The folk festival is described as relaxing.
Issue 11, vol. 76, 4/27/01, pg. 10
Skidmore News - Lively Lucys Related
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1cb227fceaba7797a24eb1812b48cde7
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Text
arts & entertainment
n April 6, Tennessee Williams' play "Camino Real" opened in the Main Stage Theater. Both the acting and technical aspects o f the show were impressive and original. The performance featured a very large cast for a Skidmore production. Gardiner Comfort '02 played the famous character Kilroy, who moved the crowd with his humor and courage. Supporting actor Taylor McGowan `01 played an aging Casanovia; he and his lover Rosita, played by Eliza Lay '03, displayed a very complex relationship. Lord Byron, played by Noah Opitz `01, performed a funny musi cal solo that was aptly chosen for his character. John Cockcroft '01 resembled a twisted version of "Fantasy Island"'s host Mr. Roark?. The Gypsy, played by Dana Black '01, and her daughter Esmeralda, played by Rebecca McHugh '04, worked their own type of "magic" to grant wishes. The ever-present street cleaners, played by Jason Bowen `04 and Tristan Howard '03, were both ominous and funny, personifying the atmosphere of the show. The ensem ble actors also performed beautiful ballet movements and hilarious dance numbers. Director Phil Soltanoff re-created the background of a small Mexican village, and then transposed a darker theme of the 1980s show "Fantasy Island" onto it. The set, designed by Garret E. Wilson, featured an elaborate sand and adobe-
Take a Walk Down the Camino O
by Alex W olff
C o n t r ib u t in g W r it e r . __________________________ _____
like street. Actors could step down to a pit-like area and had the ability to interact with the audience directly. Stage Manager Baleigh Isaacs '03 created numerous eerie sound and lighting effects. The results were scenes that constantly varied from demure and depressing, to ostentatiously funny. At first, the show seemed simply a practice of the absurdist theater, but it gradually became apparent that there was a deeper meaning to be found. Hints dropped in the first act left the audience curious during the intermission. During the much shorter second act, the different parts of the story came together to illuminate the heartening, meaningful lesson of the play. At times the show's technical elements took on a life of their own, turning Williams' classic play into a theatrical spectacle. The show's complex light design and heavy sound plot helped to add life and meaning to Williams' words. Assistant director Sara Mallet `02 helped choreograph sever al complex dance moves, giving a rythmic feel similar to that of a musical. "Camino" was a highly enjoyable show, refreshing in its range of acting types, ranging from short monologues to large musical numbers. Some of the show's lesser qualities, such as its confusing plot, left many viewers bewildered. Some scenes also dragged on too long for most people's attention span. Funny and full of great theater styles, "Camino" should appeal to a wide range of audiences. Q
K
r ........
Wednesday 4/16/01 "Cahoot's Macbeth" 8:00p.m. & 10:00p.m.-Caffe Lena Tuesday 4/17/01 Dialogues: A cross-disciplinary discussion between artists and faculty. Nina Katchadourian with Mara Messing 7:00p.m. Payne Presentation Room (Tang Museum)
Saturday 4/21/01 Tang Family Saturday, 2:00p.m.Tang Museum String Chamber Ensembles w/Michael Emery 5:00p.m. Filene Recitai Hall Senior Recital: Trevor Healy 8:00p.m. Filene Recital Hall Concert: Jurassic 5-8:30p.m. Sports and Recreation Center
I
1 3 April 2001 · T h e Skidmore News
U p c o m in g E v e n ts Friday 4/13/01 "Cahoot's Macbeth" "Camino Rear-8:00pm-Bernhard Theater 8:00p.m. & 10:00p.m.-Caffe Lena Senior Recital: Christopher Sidoli with Michael Clement 8:00pm Filene Recital Hall Wednesday 4/18/01 Gallery Tour-12:00p.m. Tang Museum Saturday 4/14/01 Recital: Brad Mehldau, 8:30p.m. Filene Recital Hall Pure Energy Presents "DJs on the Green" "Cahoot's Macbeth", 10:00p.m. Caffe Lena 4:00p.m. Case Green "Camino Real", 8:00p.m. Bernhard Theater Friday 4/20/01 Totally Free Movie, 10:00p.m. Gannett Auditorium Spring Dance Concert, 8:00p.m. Dance Theater Horn Ensembles w/ Patrice Maltestinic Senior Recital: Amy Kimura, 3:00p.m. Filene Recital Hall 8:00p.m. Filene Recital Hall
�
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Lively Lucy's Coffeehouse Collection
Still Image
A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials.
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
Online database - scan - good
Dublin Core
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Skidmore News - Lively Lucys Related
Title
A name given to the resource
[Ephemera] Article
Description
An account of the resource
"Community Profile: Josh Clayton" by Laura Martin. Profile of student musician and visual artist Josh Clayton. The article mentions that Clayton will not be playing at Lively Lucy's anytime soon because he does not view himself as a performer.
Issue 9, vol. 76, 4/13/01, pg. 19
Skidmore News - Lively Lucys Related
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http://history.caffelena.org/files/original/3635c7532c83baa1945a21471c324fa9.jpg
4e999060994d3ef5fb66c019a7ce979a
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Lively Lucy's Coffeehouse Collection
Still Image
A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials.
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
Online database - scan - good
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Identifier
An unambiguous reference to the resource within a given context
Skidmore News - Lively Lucys Related
Title
A name given to the resource
[Ephemera] Article
Description
An account of the resource
"Kris Delmhorst livens up Lucy's" by Jen Nathan. Artist Kris Delmhorst played a show at Falstaff's as a part of the Sunday night concerts of Lively Lucy's coffeehouse
Issue 5, vol. 76, 10/6/00, pg. 15
Skidmore News - Lively Lucys Related